Please note: I am currently offering up some of my older important artworks. Some are unshown and many have been in exhibitions in Australia and overseas and may have writing and labels for provenance history on the back.
About 10 Secs.
A pure abstract painting. Feelings and movement created using line, form, color and texture. .
A moment in time. A spontaneous , bold yet soft gestural mark that moves across the surface with loads of movement.
Title 10 Secs
Med. Oil paint on artist board. Unframed.
Size 120 x 90 x 2cm.
Year 2013
Signed by artist
Certificate of Authenticity
About the materials.
This painting has been created on strong, rigid panel.
My panels are coated with acid-free acrylic gesso.
The artwork is unframed and has no hanging hardware.
This makes it ideal for custom framing to your liking.
Bluethumb or your local framer will be able to create a custom frame for your artwork.
Painting on a rigid wooden board allows me, to build up rich layers of, marks, text and coloured glazes, without the surface collapsing, as when using a stretched canvas .
Please note: I am currently offering up some of my older important artworks. Some are unshown and many have been in exhibitions in Australia and overseas and may have writing and labels for provenance history on the back.
About 10 Secs.
A pure abstract painting. Feelings and movement created using line, form, color and texture. .
A moment in time. A spontaneous , bold yet soft gestural mark that moves across the surface with loads of movement.
Title 10 Secs
Med. Oil paint on artist board. Unframed.
Size 120 x 90 x 2cm.
Year 2013
Signed by artist
Certificate of Authenticity
About the materials.
This painting has been created on strong, rigid panel.
My panels are coated with acid-free acrylic gesso.
The artwork is unframed and has no hanging hardware.
This makes it ideal for custom framing to your liking.
Bluethumb or your local framer will be able to create a custom frame for your artwork.
Painting on a rigid wooden board allows me, to build up rich layers of, marks, text and coloured glazes, without the surface collapsing, as when using a stretched canvas .
