Capturing Traces Left Behind 1994 – 2023

Cape Schanck Victoria 1 – 1994
Tracing the marks left behind along the coastline

Capturing the imperfections and traces left behind in the environment in 1994. 29 years later and still exploring the moments of change, rust and decay, as well as, the renewal and growth, in the transformation of the environment.

Landwrap Series – 2023

The artworks link to the primal aerial view over Australia. 
Land Wrap is my relationship with the earth. A subconscious rendering of the desolate wilderness, granite landscapes, deserts, scrubby forests, waterholes and walking tracks of Australia. Being a primal source of the earth , once one is cloaked in “Land Wrap” it gives protection and wisdom for our future survival

Cape Schanck Victoria 2 – 1994
Tracing the marks left behind along the coastline

I want to engage viewers in a conversation about the relationship between our environment, our history, and the importance of embracing the beauty and raw power of the natural environment.

Chequered Flight – 2017
The creation of order out of chaos and the eventual return to randomness along the seine river in France.

Rustmatter 16 – 2018
Marks found traveling on the Metro train system, Paris France

Earth & Bio Dyeing 2020

Wallmatter 8 – 2016
Connections and contrasts of imperfections, found in the urban environment, highlighting, insignificant marks and weathered surfaces.

Acrylic paint & concrete.

 

Rustmatter 14 – 2016
A visual and textural descent into the abandoned, the derelict, the vacant and the forgotten.

Wallmatter 16 – 2016
Connections and contrasts of imperfections, found in the urban environment, highlighting, insignificant marks and weathered surfaces 

I work primarily with abstract painting and often focus on layering paint and mixed media materials, creating incomplete impressions – random, yet imperfect. My process involves building up and breaking down surfaces, playing with decay and renew. In my textile and found object pieces I bring in texture and rust to give depth.

At the core of my work remains the act of intuitive and experimental marks, smudges and scratches that reference my relationship with the environment and moments in History. I hope my works will ignite the imagination and evoke an honest and curious connection to the environment. Jenny Davis

More information and artworks here

Jenny Davis

Jenny Davis is a multidisciplinary artist based in the Yarra Valley, Victoria, Australia. Over a practice spanning almost four decades, she has worked across painting, sculpture, textiles, artist books, collage, assemblage, photography, video, and installation. Grounded in abstraction, her work explores memory, place, inheritance, and material histories through intuitive, process-led methods of making.

Using paint, found objects, salvaged materials, antique textiles, and weathered surfaces, Davis investigates the traces left by people, places, and time. Through acts of layering, excavation, repair, and reconstruction, her work considers how histories persist, shift, and find new forms of expression.

https://jennydavisart.com
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Wallmatter - Jenny Davis - 2024

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Landwrap 4